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结构,是文章艺术形式构思的基本内容,是测度作者组织材料、安排材料的标尺。结构的作用,在于把那些源自生活的材料或作者虚构的内容进行合理的巧妙的编排组合,非展示出来,使之成为一个严密的、生气灌注的系统。从文章的特性与效能上看,结构精当与否,关系到内容的表达与自身的美感。我国梁代著名的文论家刘勰认为:“总文理,统首尾,定与夺,合涯际”,是文章构成形象整体,使其从内容到形式“杂而不越”的主要艺术手段。与内容相适应的精巧结构,既可成为内容表达的良好导体,又能给人以美的感应。
Structure is the basic content of the idea of the art form of the article, and it is the measure of the author’s organization materials and arrangement materials. The role of the structure lies in the rational clever arrangement and combination of those materials derived from life or the imaginary contents of the author, and they are not displayed, making it a strict, angry perfusion system. From the point of view of the characteristics and effectiveness of the article, whether the structure is perfect or not is related to the expression of the content and its own sense of beauty. Liang Yao, a famous literary critic of Liang Dynasty in China, believes that “the total arts and sciences, the beginning and the end of the system, the definiteness and the capture, and the inter-relations” are the main artistic means for an article to form an image as a whole and to make it “miscellaneous but not more” from the content to the form. The exquisite structure that adapts to the content can not only be a good conductor of content expression but also give the impression of beauty.