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回想起来中文流行歌坛的女歌手们从来都被一条舞曲的暗线引导着方向。前有梅艳芳用歌姬的姿态把“坏女孩”的形象带到人们面前;后面陈慧琳有被冠以“电音女王”的称号,和郑秀文一干人等把韩国流行舞曲音乐介绍到中国市场;蔡依林一张张的专辑在向“舞娘”转变,终于在阿弟仔手中羽化成仙,成为新一代听众热捧偶像。当然名单里还可以加上S.H.E、卫兰等一大堆名字,甚至连杨千嬅这样的港女,都已经在新专辑中狠狠地Lady Gaga了一把,还有人可以避开电音和舞曲的风格而称雄主流市场呢?时尚、新潮的呈现方式,很多时候总是和那些具有未来和
In retrospect, the singers in Chinese pop music have always been guided by the dark lines of a dance music. Before Anita Mui with the attitude of the song Ji to “bad girl ” image to the front; behind Kelly Chan has been crowned “Queen of Electricity ” title, and Sammi Cheng and other people to introduce the Korean pop dance music China market; Jolin Tsai a piece of the album in the “Dancing Girl ” change, and finally became the immortal in the hands of Aberdeen, a new generation of popular idol audience. Of course, the list can also add a lot of SHE, Wei Lan and a lot of names, and even Miriam Yeung such a Hong Kong girl, have been severely in the new album Lady Gaga a, there are people who can avoid the electronic music and dance Style and dominate the mainstream market? Fashion, trendy presentation, often times and those who always have the future and