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自1980年以来,中国传统音乐研究吸收来自西方民族音乐学理论的影响,逐渐形成了中国传统音乐理论与中国民族音乐学两个学科分支。在向西方学习之时,中国的音乐学家们也努力探讨符合中国学术语境的学科理念和研究方法,一个个具有独特视角和独特价值的研究理念逐渐成形,其中跨界族群音乐研究便是其中之一。该研究理念基于中国的社会现实,所提出的问题具有全球化意义,成为中国音乐学者贡献于世界的理论突破口。但是,跨界族群音乐研究的独特意义是什么?所涉及的主要问题是什么?将采用何种有效的方法论?目前对这些问题还缺乏深入的讨论。希望本文能够在此方面有所作用,也希望更多的学者们参与对此问题的思考。
Since 1980, Chinese traditional music studies have absorbed the influence from Western ethnomusicology and gradually formed two branches of Chinese traditional music theory and Chinese ethnomusicology. At the time of learning from the West, Chinese musicologists also worked hard to explore disciplinary concepts and research methods that fit Chinese academic context. Gradually formed research ideas with unique perspectives and unique values, including cross-border ethnic music research one of them. The research concept is based on the social reality of China. The issues raised are of global significance and become the theoretical breakthrough for Chinese musicologists to contribute to the world. However, what are the unique meanings of cross-border ethnic music research, what are the major problems involved and which effective methodology should be adopted? There is currently no deep discussion on these issues. I hope this article can make a difference in this respect, and I hope more scholars will participate in the thinking on this issue.