《沃野寻芳——中央工艺美院在李村》:对艺术来源的深思和艺术操守的重提

• 作 者: 王文静
• 出 处: 乡音
• 发表日期: 2017年04期
• 关键词: 获鹿县 常沙娜 何镇 劳动锻炼 袁运甫 留学经历 创作思想 吴冠中 周喜俊 鹿泉

1970—1973年,吴冠中、袁运甫、常沙娜、何镇强等中央工艺美院教师和学生200余人整体下放到河北省石家庄市获鹿县(现为鹿泉区)李村接受劳动锻炼。在这短短的3年时间里,艺术家们被动地走进农村,却主动融入到生活和人民中间,脱离了一切功利,创作出了国内外公认的艺术精品。可以说,这些后来成为美术界巨擘的艺术大师,在李村的3年在与自然、与土地、与百姓的血肉联系和水乳交融中升华了对艺术的理解,奠定了后来创作实践和美术思想的牢固地基。然而,美术学界往往更侧重从他们的留学经历、

From 1970 to 1973, more than 200 teachers and students from Central Academy of Fine Arts, including Wu Guanzhong, Yuan Yunfu, Chang Shana and He Zhenqiang, were handed over to Li Cun (now Luquan District) in Shijiazhuang, Hebei Province for work and training. In these short three years, the artists passively enter the countryside, but take the initiative to integrate themselves into the life and the people, breaking away from all utilitarian activities and creating the well-known fine arts at home and abroad. It can be said that these masters of arts who later became the fine art masters sublimated their understanding of art in the fleshy and physical ties with nature, land, and people in the three years of Li Cun and laid the foundation for later practice and art thought Firm foundation. However, art academics tend to focus more on their study experience,