导演的画面构思

• 作 者: 蔡明森
• 出 处: 福建艺术
• 发表日期: 1997年04期
• 关键词: 场面调度 普莱 总体构思 雷纳 镜头调度 美术设计 秋风辞 人物行为 综合形象 剧中人物

美国著名导演奥托·普莱明格说过:“一部理想的影片是觉察不到导演在那儿指手划脚的——而实际上他对一事一物都渗透了自己的心血,这就是导演的艺术。”(摘自雷纳《电影导演工作》)。 不论是影视或是戏剧,在导演所要倾注全力和渗透自己心血的作品中的每一事一物中,在剧本的主题、最高任务、风格、贯串动作、总体构思等等确立之后,应数对演员的指导和进行画面造型构思最为重要。

The famous American director Otto Pleininger said: “An ideal film is not aware of the director’s finger-pointing there - and in fact he has infiltrated his efforts on things and things, which is Director’s Art. ”(From Reiner“ The Film Director’s Work ”). Regardless of the film or drama, in the story of the director to be devoted and infiltrated their own work in everything, the theme of the script, the highest task, style, movement, the overall idea of ​​the establishment, should count the number of actors The guidance and conceptual design of the screen is the most important.