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山光水色是中国文学作品中的主要内容,也是中国古今文学家、艺术家所描写的主要对象。情景相生的意象在他们的笔下比比皆是。早在魏晋南北朝时代,特定的政治历史条件迫使一部分士大夫远离政治而遨游山林,他们隐遁林泉,寄情山水,寻求精神上的慰藉和解脱,借“情”为中介而找寻蕴涵于湖光山色中的契合点,达到了天人合一、物我两忘的境界。于是在他们的笔下,情思由于物化而得到了表现,山林景物也由于情思的洗礼而获得了生命;于是一片自然风景就成为一种心情,王维、李白、柳宗元、蔡运强、张晓风这些文人的心,便在他们所创造的意象里面跳动着……
The color of mountains and water is the main content of Chinese literary works, and it is also the main object described by Chinese ancient and modern writers and artists. Scenery images abound in their writing. As early as the Wei, Jin and Southern and Northern Dynasties, specific political and historical conditions forced some scholars to stay away from politics and travel through the mountains. They concealed Lin Quan and found themselves in the mountains and rivers to seek spiritual comfort and relief. They used the “emotion” as an intermediary to find the implications in the mountains and lakes. The meeting point reached the realm of Heaven and Man and the two things I forgot. Therefore, in their writings, emotions are manifested by materialization, and the mountain landscapes have also gained life because of baptism of feelings; so a natural landscape becomes a mood, and the literators’ hearts are Wang Wei, Li Bai, Liu Zongyuan, Cai Yunqiang, and Zhang Xiaofeng. They danced in the images they created...