论文部分内容阅读
在著名版画家王琦的书房里,至今还收藏着1955年用钢笔画的《晚归》单色原稿,这幅作品是他在被审查期间创作出来的。当时正值“反胡风运动”之时,王琦受到牵连,他一边接受批判,一边进行创作,其中的艰难可想而知。时隔五十多年,笔者有幸在王琦先生家见到了这幅保存半个多世纪的创作草稿。《晚归》属于王琦版画创作第二个时期的代表作品,是一幅充满诗意的抒情作品,创作构思来自于作者对农村生活的真实感受。夕阳西下,寒鸦归林,满载而归的农
In the study of the famous printmaker Wang Qi, a monochrome manuscript of “late fall” pen-drawn in 1955 is still being collected, which was created during his censorship. At the time when the “anti-Hu movement” was being carried out, Wang Qi was implicated. As he was criticized, he was creative and the hardships can be imagined. After more than fifty years, I was fortunate enough to see Mr. Wang Qi at home to save this draft more than half a century’s draft. The “late fall” belongs to the representative works of Wang Qi’s second period of printmaking. It is a poetic lyric work, whose creative concept comes from the author’s true feelings about rural life. Sunset west, Jackdaw forest, full return of agriculture