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时至今日,笔墨与非笔墨在学术讨沦中已不是问题,而水墨作为凝结中国美学标准的传统绘画语言,在寻求现代性探讨的过程中,“现代水墨”逐渐从传统水墨语言中被疏离,而在如火如荼发展的当代艺术阵营中,现代水墨也未能得到承认,如同一位现代水墨画家所言：在当代艺术画家们成群结队等待市场挑选的时候,水墨画家却在夹缝中求生存。宋庄水墨同盟的成立和理论家刘骁纯先生主持的“水墨·当代”邀请展,是对这个问题深刻思考的反映。而吕澎先生对实验水墨历史的梳理为我们理清思路提供了重要佐证。曾经的“实验水墨”今日绝少被提及,并非因为它销声匿迹,而是在更大程度上得到了承认和肯定,现代水墨的身份认定还需要经过较长时间的思考和努力是毋庸置疑的,也许借助学术界、画界、艺术媒体等各方面的关注,这个目标可以实现得更快一些。
Nowadays, ink and brush and non-brush ink are no longer issues in academic discussion, while ink and wash ink is the traditional painting language that condenses Chinese aesthetics standard. In the process of exploring modernity, “modern ink and wash” is gradually separated from traditional ink and wash language , While modern ink and wash has not been recognized in the rapidly-evolving contemporary art camp as one modern ink painter said: While contemporary artists are in droves waiting for the market to pick, the ink painters are caught in the cracks survive. The establishment of the Song Zhuang Ink and Ink Alliance and the “Ink and Wash Contemporary Invitation Exhibition” hosted by the theorist Mr. Liu Xiao-Chun are the reflection of profound thinking on this issue. And Mr. Lu Peng’s combing of the history of experimental ink painting provides important evidence for us to sort out our thinking. The “experimental ink painting” was seldom mentioned today, not because it disappears, but to a greater extent has been recognized and affirmed. It is no doubt that the recognition of modern ink and wash requires a long time of thinking and effort Perhaps this goal can be achieved faster with the help of academics, art circles and the media of art.