论文部分内容阅读
美学范畴作为反映人类审美活动的本质属性和普遍联系的基本概念既是建构科学的美学理论体系的支撑点和生长点,也是美学思想史研究的核心内容。在这种史论结合的研究视野中,美学范畴自身的形成和演化以及诸美学范畴系列的有序化组合甚至成为美学家理论思维的逻辑形式。因此,如何认识和把握美学范畴的学科特性,如何深化对美学范畴的普遍性与特殊性的理解便成为我们推进美学史与美学理论研究的关键性契机,这正是本文探讨的核心问题。我们应当在历史与逻辑、空间与时间、理论阐释与经验描述的有机融合中形成对美学范畴的独特而有效的把握方式,真正认识美学范畴在共性与个性的结合中表现出的学科特性。本文拟从四方面作出初步阐释。
Aesthetics category, as a reflection of the essential attributes of human aesthetic activities and the universal connection of the basic concept is not only the construction of scientific aesthetics theory system support point and growth point, but also the core of the history of the study of aesthetics thought. In this field of view combined with history, the formation and evolution of the category of aesthetics itself and the orderly combination of a series of aesthetics categories have even become the logical form of esthetician theory of thinking. Therefore, how to understand and grasp the subject characteristics of the aesthetic category and how to deepen the understanding of the universality and particularity of the category of aesthetics becomes the key opportunity for us to promote the study of the history of aesthetics and the theory of aesthetics, which is exactly the core issue of this article. We should form a unique and effective way of grasping the category of aesthetics in the organic integration of history and logic, space and time, theoretical interpretation and experience description, and truly recognize the characteristics of the discipline in the combination of commonness and individuality in the category of aesthetics. This article intends to make a preliminary explanation from four aspects.