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《水痕》是一个既定与即兴交织的作品,仿佛永远处于一个不曾封闭、开放式的进程里,耐人寻味。多组固定下来单人或者双人舞的素材支撑着整个作品的局部表现,在创作过程中,我们在编导约翰·乌坦斯的带领下做了很多有趣的训练,其中包括以观察、模仿以及判断力为核心的游戏形式。排练轻松愉快,体力消耗并无察觉。在该作品创作第12天期
“Water Mark” is an established and impromptu intertwined work, as if in a never closed, open process, intriguing. The multi-group fixation of single or double dance material supports the local performance of the entire work. During the creative process, we conducted a lot of interesting trainings under the direction of director John Usans, which included observation, imitation and judgment As the core of the game form. Rehearsed relaxed and happy, physical exertion and no awareness. During the 12th day of creation of this work