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设计中运用一系列雕刻、折叠、塑型等手法塑造一些立体的字体,来表达自己文字作品的内涵与对社会的价值意义越来越多。而雕塑字体这一概念并不为人们所熟知,或者换句话说,它没有成为单独的个体被独立化出来,绝大多数的雕塑字体由于其创作的手法仍然被定义为雕塑文化的一部分。而今,越来越多的设计者通过雕刻、塑型、立体等一系列手法创造出具有时代意义的雕塑字体作品,我们也可以考虑将雕塑字体作为一个单独的整体重新诠释和解析雕塑字体的产生和发展。
The use of a series of sculpture design, folding, plastic and other techniques to create a number of three-dimensional font, to express their own writing works connotation and the value of society more and more. The concept of sculptural fonts, however, is not well known, or in other words it has not been isolated as a separate individual, and the vast majority of sculptural fonts are still defined as part of the sculpture’s culture because of their creative approach. Nowadays, more and more designers create sculptural fonts with the significance of the times through a series of techniques such as carving, modeling and stereo, and we can also consider reinterpreting and analyzing the sculpture fonts as a single whole And development.