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在音乐家之中,斤斤计较金钱的,罗西尼(G.A.Rossini 1792-1868)和理查·施特劳斯(1864-1949),是最著名的两位了。在罗西尼时代,作曲家已经不再如巴赫和贝多芬那样穷困潦倒,曲谱能够立刻换来大把大把的银子,音乐同女人漂亮的裙子和男人剽悍的坐骑一样成为了畅销的商品。罗西尼就是这样把自己的艺术毫不隐晦地当成了商品的作曲家,他直言不讳地把自己的作品和钱等同起来,两者之间常常忍不住划等号。两者交换的关系如此赤裸裸,不是会让艺术忍不住跌了应有的身份和色彩吗?但他不怕。
Among the musicians, who preoccupied with money, Rossini (G.A. Rossini 1792-1868) and Richard Strauss (1864-1949) were the two most famous ones. In the days of Rossini, composers were no longer as deplorable as Bach and Beethoven, and the scores were instantly exchanged for a great deal of money, a music that became as popular as a woman’s pretty skirt and a man’s macho mount. Thus, Rossini regarded his art as a composer of goods without any obscurity, and he outspokenly equated his work with money, often withholding the distinction between the two. The relationship between the two exchanges so naked, is not art can not help but fell due to the identity and color it? But he is not afraid.