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在自媒体时代,当影像在互联网上如潮水般翻卷而来,展厅上高悬的作品仍然保持着与观者刻板距离的时候,越来越多摄影师和阅读者感受到了纸本摄影书所独有的魅力,尤其当摄影书摆脱工业化大批量印刷的流水线,转而注入摄影师以及设计者更多个性化的拍摄、编辑、设计的时候,本雅明所说的因机械复制而被驱散的照片中的“灵韵”又在书中慢慢聚拢。
In the media age, more and more photographers and readers have come to appreciate paper-based photographic books as the images are tumbling over the Internet and the hanging works in the exhibition halls still maintain their stereotype with viewers Unique charm, especially when photographic books get rid of the industrialized mass-print pipeline, injecting into photographers and designers more personalized shooting, editing, designing, Benjamin said was dispersed due to mechanical copying Photos in the “Spirit” and slowly gather in the book.