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《巴黎圣母院》是著名作家雨果先生在十九世纪的著名代表作之一,这一篇代表作贯穿了雨果先生提出过的美与丑、善与恶相互对照的创作原则,而这种人物对照的艺术原则在小说中很多地方得以运用和实践,主要体现在情景与场景的对比、人物之间的对比、人物自身的对比等等。雨果先生通过运用多种多样的手法,通过这种对照的创作原则展示了鲜明的人物性格以及丰富的情节变化,向我们表明了它的创作核心——以仁爱作为基础的人道主义思想。本文通过《巴黎圣母院》这篇小说,针对其人物对照的创作原则进行艺术分析。
“Notre Dame de Paris” is one of the famous representative works of famous writer Hugo in the nineteenth century. This masterpiece runs through the creative principle of the contrast between beauty and ugliness, good and evil put forward by Hugo The principle of art of comparison is applied and practiced in many places in the novel, mainly in the comparison of scenes and scenes, the contrast between characters, the comparison of characters themselves and so on. Hugo, through the use of a variety of techniques, demonstrates distinctive character and rich plot changes through the principle of creation of such a comparison, and shows us the core of his creation - humanitarianism based on benevolence. This article through the “Notre Dame de Paris” novel, against the principle of creation of its character contrast artistic analysis.