论文部分内容阅读
“80后”作家张悦然在《谁杀了五月》中,以三卓为十九岁的女主人公拍照的桥段铺述了一桩凄婉的爱情故事。摄影师、模特、照片,三者之间被一场邂逅巧妙地捏合在一处。最终女孩离开,只留下了自己的照片作为摄影师三卓一生的追念。而出生于1990年的王苏辛在小说《白夜照相馆》中,以冷静、悬疑、诡异的笔调,将这种“照片——美好回忆”的温情模式进行了无情的解构。在一个个看似碎片化的想象中,王苏辛讲述了一个全新的关于照相的故事。无独有偶的是,这也是一个女子与两个男子“相爱相杀”的故事,还是两个大龄摄影师为何不能走到一起的故事,更隐藏了一件弑师的故事。作者在讲述这样一桩桩悬而未决、看似本无关联却又吊诡异常的事件时,也向我们揭开了现代工业文明留给每个人心上那一道叫做“欺骗”的疤。
“After 80 ” Writer Zhang Yueran In “Who Killed May”, to three Zhuo for the nineteen-year-old heroine paving the bridge section of a sad love story. Photographers, models, photos, among the three was an ingenious kneading in one place. The final girl left, leaving only his own photo as a photographer three Zhuozhuo life’s memory. However, Wang Su-ssu, born in 1990, relentlessly deconstructed this warm-hearted mode of “Photos - Beautiful memories ” in the novel “White Night Photo Gallery” with calm, suspense and weird tones. In a seemingly fragmented imagination, Wang Su Xin tells a whole new story about photography. Coincidentally, this is also a story of a woman and two men, “love each other”, or two older photographers why can not come together story, but also hides the story of a master division. When the author talks about such an unpredicted and seemingly unrelated but paradoxical incident, he also reveals to us the scars of modern industrial civilization left to everyone on the heart called “cheating.”