先锋文学经典化与先锋批评的关系——从现代性视野出发

• 作 者: 薛红云
• 机 构: 北京联合大学,
• 出 处: 现代中国文化与文学
• 发表日期: 2016年02期

在当代文学中,先锋作家、先锋文学主要是指余华、格非、孙甘露等人和他们在20世纪80年代中后期开始创作的带有极强形式实验色彩的小说。他们的创作在80年代和当时对于“纯文学”的追求非常合拍,因而受到当时批评界的关注。在短短的几年内——到90年代初,先锋作家的作品已经成为了当代文学中的经典。这个经典化过程在先锋小说诞生之初由上海的编辑和批评家开始,在90年代初由北京的批评家接续。两个城市批评家批评话语的不同显示出80年代到90年代批评的变化与分野,更显示出现代性

In contemporary literature, avant-garde writers and avant-garde literature mainly refer to those with extremely experimental forms, such as Yu Hua, Ge Fei, Sun Man Lu and others who started their writing in the mid-to-late 1980s. Their writing was very much in line with the pursuit of “pure literature ” in the 1980s and was thus concerned by critics at that time. In just a few years - by the early 1990s, Pioneer’s work has become a classic in contemporary literature. This process of canonization began with Shanghai’s editors and critics at the dawn of avant-garde novels, and was followed by critics in Beijing in the early 1990s. The difference between two urban critics in criticizing discourse shows the changes and differences in criticism from the 1980s to the 1990s and more on the modernity