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恩格斯称黑格尔是“所有时代中最有学问的人物之一。”他不仅在哲学领域超过了以前的一切哲学家,而且在美学领域里也起了划时代的作用。他的《美学》一书涉及的艺术领域极其广博,思想见解十分深刻。他对绘画中的美学问题的精辟论述,至今对我们仍有重要的价值。当然,黑格尔的美学理论是建立在他的客观唯心主义哲学体系与辩证法之间的深刻的矛盾基础上的。他把美、艺术都看成是由绝对精神即理念,通过感性事物具体形象显现出来的。这里面既包括他的美学基本观点——理念,也讲了理性与感性,思想内容与表现形式的辩证统一的关系。“完善的艺术必然要从不完善的艺术发展出来”
Engels called Hegel “one of the most learned people of all times.” He not only surpassed all previous philosophers in the field of philosophy, but also played an epoch-making role in the field of aesthetics. His book Aesthetics is extremely broad in the field of art, and his ideas are profound. His brilliant expositions on aesthetics issues in the painting so far still have important value to us. Of course, Hegel’s aesthetic theory is based on the profound contradictions between his objective idealist philosophical system and dialectics. He regards beauty and art both as absolute spirit, idea, and concrete image of sensual things. This includes both his basic concepts of aesthetics - philosophy, but also about the relationship between rational and sensual, the contents of the ideological and dialectical unity. “Perfect art is bound to be developed from imperfect art”