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每年11月是法国三大文学奖颁布的一个月,文坛、出版社、评论界都非常活跃。1998年是法国女作家扬眉吐气的一年。龚古尔文学奖、勒诺多文学奖、法兰西学院文学大奖,俱被她们囊括而去。多米尼克·波那(Dominique Bona,图左)的《埃贝纳港的文稿》获勒诺多奖,波尔·贡斯当(Paule Constant,图中)的《推心置腹》获龚古尔奖,而安娜·维亚赞斯基(Anne Wiagensky,图右)的《一小撮人》获法兰西学院奖。她们三人走进非常封闭的得奖女作家俱乐部,与艾尔莎·特丽奥莱、西蒙娜·德·波伏瓦、玛格丽特·杜拉斯、拉法艾尔·比耶杜等人共享荣光。尽管女性自古以来都有杰作传世,但是男性对她们的写作才能始终存在偏见,认为女作家写不出大作品,认为女作家看不透男人的心理,认为……即使开明的法国文坛和新闻界,有时不免还从这陈旧的心理定势,对女作家的佳作表现出男性的偏见和惊讶。下面这篇采访有趣的是,得奖女作家再三说明作家有男女之分,作品不能有男女之别,而《巴黎竞赛报》男记者热罗姆·贝格莱(JeromeBegle)还是不断自觉或不自觉地向她们提出这类的蠢问题。
November each year is the French three major literary awards promulgated a month, the literary world, publishing houses, critics are very active. 1998 is a proud year for French women writers. Goncourt Literary Award, Reno Literary Award, the French Academy of Literature Award, all they are inclusive. The Rendez-vous for “Ebené Harbor” by Dominique Bona (pictured left), the “Gonzalez” prize for Paule Constant (pictured) And a handful of people by Anne Wiagensky (pictured right) won the French Academy Award. The three of them went into a very closed prize-winning female writers’ club with Elsa Terri Ole, Simone de Beauvoir, Margaret Duras, And others share the glory. Although women have masterpieces handed down from ancient times, men always have a prejudice against their writing, think that female writers can not write large works, that female writers can not see a man’s psychology, that ... ... even enlightened French literary and media , Sometimes inevitably also from the old psychological set, showing the masculine prejudices and surprises for the best of female writers. What’s interesting about this interview is that winning women writers have repeatedly stated that writers have a distinction between men and women. The work can not be divided between men and women. And Jerome Begle, a male correspondent of the Paris Tournament, is still consciously or not Consciously ask them such stupid questions.