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2000年以后装置艺术的创作总的来说集体化意识消失了,变得更个人化。关于社会问题,关注艺术本体的探索和表达比以往更加有深度、更有艺术的语言感,材料运用得更广泛、更熟练,呈现方式更多样。——黄笃采访时间:12月17日采访地点:黄笃工作室黄笃作为中国第一代策展人之一,从策划的第一个展览便是装置艺术展,后来策划的大多国内国外的大展也偏向装置艺术。他对80年代至今中国装置艺术的发展有着深刻的了解。
After 2000, the creation of installation art generally has become less and more personalized. Concerning social issues, paying attention to the exploration and expression of artistic ontology is more profound and artistic than ever before. The materials are more widely used, more proficient and present more diverse ways. - Huang Du Interview Time: December 17 Venue: Huang Du Studio Huang Du was one of the first generation curators in China. The first exhibition planned was the installation art exhibition, and most of the planned domestic and foreign exhibitions later The exhibition also favors the installation art. He has a profound understanding of the development of Chinese installation art since the 1980s.