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山口修先生在《出自积淤的水中——以贝劳音乐文化为实例的音乐学导论》一书中提出将“音乐学”代替“民族音乐学”。引起众多学者的思考与反思,同时也被认为是音乐学里面的精品佳作。笔者主要从三个方面来阐述的,首先是作者将“音乐学”代替“民族音乐学”的缘起及定义;其次是对著作内容的理解和自身感悟的梳理;最后,是分析作者将“音乐学”代替“民族音乐学”的可能性,以及出现重视民族学而忽略音乐学的这种趋势发展。
Mr. Yamaguchi revised his “Musicology” instead of “Musicology of Ethnomusicology” in his book “An Introduction to Musicology Based on the Belo Music Culture as an Example.” Aroused many scholars thinking and reflection, but also considered music works of art inside. The author mainly elaborates from three aspects. The first is the author’s definition of “musicology” instead of “ethnomusicology.” The second is the compilation of the comprehension and self-perception of the writings. Finally, The author will “musicology” instead of “ethnomusicology” possibility, as well as the emergence of emphasis on ethnology and ignore the development of musicology trend.