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描述中国新时期电影,我们无法绕开张艺谋,这位集导演、摄影、表演于一身的电影“奇才”、“怪才”,中国电影界罕见的“获奖专业户”,十多年来一次又一次地让世人震惊,其独特的电影生涯和情感经历本身就是一部传奇。从“第五代”的开山之作《一个和八个》,到获得金鸡奖最佳摄影奖的《黄土地》,再到《大阅兵》,从获得“三冠”影帝的《老井》,到从柏林为中国电影捧回第一只“金熊”的《红高粱》。张艺谋在短短几年间就成功地完成了从摄影、表演到导演的“三级跳”。此后,《菊豆》、《大红灯笼高高挂》、《秋菊打官司》、《活着》、《摇啊摇,摇到外婆桥》、《有话好好说》、《一个都不能少》和《我的父亲母亲》接踵而至,先后在各大电影节上“披金挂银”,并在中国电影整体滑坡的情形下获得不俗的票房。一历史传奇
Describing China’s new era films, we can not get around Zhang Yimou. The film “Wizards”, “Geeks”, the rare “award-winning professional households” in China’s film industry, have been filming, performing and acting for more than a decade To shock the world, its unique movie career and emotional experience itself is a legend. From “One and Eight” mountain operas of the “Fifth Generation” to “Yellow Earth” of the Golden Rooster Award for Best Photography Award and then to the “Grand Parade,” from the “Old Well” winner of the “Three Crown” , To “Red Sorghum”, the first “Golden Bear” to take the Chinese movie from Berlin. In just a few years, Zhang Yimou successfully completed the “triple jump” from photography and acting to director. Since then, the “Chrysanthemum”, “red lanterns hanging high”, “Qiuju litigation”, “alive”, “shake ah, shake to Grandma Bridge”, “there are words to say”, “one can not be less” And “My Father and Mother,” followed one after another in major movie festivals, “Phnom Penh, Hanging Silver,” and the overall decline in the Chinese movie scene get a decent box office. A historical legend