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近年来,中国“先锋话剧”(又称为“实验话剧”)在中国发展十分迅速,与传统的大剧场叙事话剧相比较而言无疑获得了巨大的市场成功。笔者认为,中国“先锋话剧”的商业成功实际上是高雅文化对大众文化所做出的一次妥协,而所谓的中国“先锋话剧”本身实际上更应该被归入大众文化的行列之中,是作为文化产业的当代审美文化体制下的产物。本文拟将中国“先锋话剧”作为当代一种文化现象加以审视,对其发展过程和现状加以探讨和总结,并试图对其审美价值和经济价值加以把握和分析。
In recent years, the “Pioneer Drama” (also known as “Experimental Drama”) in China has developed rapidly in China. It has undoubtedly achieved tremendous market success in comparison with the narrative drama of the traditional theater. The author believes that the commercial success of China’s “Pioneer Drama” is actually a compromise made by elegant culture on mass culture, and the so-called “pioneer drama” of China itself should actually be classified as popular culture Among them, it is the product of contemporary aesthetic culture system as a cultural industry. This paper attempts to examine the “Pioneer Drama” of China as a cultural phenomenon of the present age, discuss and summarize its development process and current situation, and try to grasp and analyze its aesthetic value and economic value.