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要欣赏姚庆章的绘画(封三),必须直接观赏原作,很难从印刷图版中领略到原作使人感动的地方。在原作巨大的画面上,画家运用细腻的描写技巧,巧妙地描绘出玻璃墙反射附近一带景物的映影,视界的宽阔与真实感,给观赏者便是一种视觉上的满足。用巨幅玻璃作墙壁,无疑是现代建筑的一种特色,早几年前是看不到的。由于这种玻璃本身的色素构造,和室内与室外光度的差距,经常有如澄清的湖水一样,反映着周围一带景物的“倒影”。说这种“倒影”的景物十分真实——事实是十分真实的
To appreciate Yao Qingzhang’s paintings (Front 3), the original must be viewed directly, and it is difficult to appreciate the place where the original was touched by the printed plates. On the original huge screen, the artist uses subtle descriptive techniques to skillfully depict the reflection of the scenery around the glass wall. The wideness and sense of reality in the field of vision give the viewer a visual satisfaction. The use of huge glass walls is undoubtedly a feature of modern architecture and was not seen many years ago. Because of the pigment structure of the glass itself, and the difference between the indoor and outdoor luminosity, it is often the same as the clarified lake water, reflecting the “reflection” of the surrounding scenery. Saying that this “reflection” scene is very real - the fact is very real