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目前的日本艺能界正处于群雄纷起的战国时代,因为从众多明星中很难找出一个有足够号召力的“巨星中的巨星”。这点,在女星表现得尤为突出。无论是安室奈美惠、广末凉子、宇多田光,还是松隆子、常盘贵子、吉川日奈,其人气和实力都没有领先其他女星的绝对把握,也没有一个人敢站出来说:我就是新一代的“演艺女王”。(而男艺人部分情况就要明朗得多,最起码还有木村拓哉、近畿小子、反町隆史这几个超级巨星组成的第一集团,他们在艺坛的地位与号召力明显领先于其他一些男艺人。)今天,我们就来个日本人气女星大点将。
The current Japanese art world is in a time of warlords that have flourished since it is hard to figure out a superstar of superstars that has enough appeal. This point, the actress is particularly prominent. Whether Amuro Namie, Hirosue Ryoko, Utada Hikaru, or Matsu Takako, Tokiwa Takako, Yoshikawa Chennai, its popularity and strength are not the absolute leading other actress’s absolute grasp, no one can stand up and said: I was A new generation of “Queen of the actresses.” (The male artist, in some cases, is much more clear-headed, and at the very least has the first group of Takuya Kimura, Kinki kid, and Takaramaru. The status and appeal of the superstar in the art world is obviously ahead of other men Artist.) Today, we come to a Japanese popular actress big point.