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“列之于世界大悲剧中,亦无愧色”①的《窦娥冤》是元代戏曲家关汉卿的代表作,细读《窦娥冤》,可以看出关汉卿作为“元代知识分子长期深入民间与艺人结合的典范”②、“元曲的奠基者”②是当之无愧的。他塑造的窦娥,在我国古典戏曲人物长廊里,无疑是一位光彩夺目的女性形象。
The “Dou’e injustice” listed in the Great Tragedy of the World is also the masterpiece of Guan Hanqing of the Yuan Dynasty dramas, reading “Dou’e Yuan Wrong” for a closer look at Guan Hanqing as a “intellectual of the Yuan Dynasty Long-term deepening folk and entertainers combined model ”②, “ the founder of the yuan ”is a well-deserved. His shape of Dou E, in our country classical opera figure promenade, is undoubtedly a dazzling feminine image.