听张曼君讲“水上灯”的故事

• 作 者: 安志强
• 出 处: 中国戏剧
• 发表日期: 2013年01期
• 关键词: 张曼君 水上灯 舞台艺术 闹龙舟 农村题材 艺术功能 戏剧题材 打金枝 一出戏 我不知道

我习惯用“讲故事”这三个字来界定导演的职能。当然,故事是剧作家写出来的,而剧作家写出来的故事又是演员演出来的,与他人何干?然而,演员的职能是塑造好自己饰演的人物(角色),演员同演员之间谁也代替不了谁,何况还有音乐为他们伴奏,灯光、布景为他们创造表演的空间,而音乐、舞台美术的创作又有其自身的规律和性格,把所有一切的艺术功能充分调动起来并使它们协调地共存,形成一个完整的舞台艺术,这就是导演的艺术职能,我称其为导演“讲故事”。

I used to use the “storytelling” to define the director’s function. Of course, the story is written by the dramatist, and the story written by the dramatist is performed by the performer. What is the role of the performer? However, the function of the performer is to shape the person (character) Who can not replace them, not to mention there are music accompaniment for them, lighting, scenery for them to create space for performance, and music, stage art creation has its own laws and personality, all the art function fully mobilized and So that they coexist in harmony to form a complete stage art. This is the artistic function of the director. I call it the director “storytelling.”