从“直语”到“曲笔”——论三十年代出版走向与左翼文学形式的审美变化

• 作 者: 李玮
• 机 构: 南京师范大学文学院,
• 出 处: 中国现代文学研究丛刊
• 发表日期: 2008年05期
• 关键词: 左翼文学 出版走向 左翼文学形式 文学环境 审美变化 文学审美 阅读期待 文艺政策 创作方式 革命文学

本文以出版变迁为线索,揭示国民党的文艺政策导致出版商在三十年代中后期偏离读者的阅读期待,缩减了政治言说的空间;左翼作家为了让作品面世,不得不转变创作方式,由前期倾向“直语”到中后期偏重运用客观化、象征和反讽等“曲笔”修辞;并由此发现三十年代政治化的文学环境与文学审美发展之间的微妙联系。

This article takes the publishing change as a clue to reveal that the Kuomintang’s literary policy led the publisher to deviate from readers’ reading expectation in the mid and late 1930s and reduced the space for political speech. The left-wing writers had to change their mode of creation in order to make their works available. “Straightforward ” to the latter part of the emphasis on the use of objectification, symbolism and irony “Qu pen ” rhetoric; and thus found the thirties politicized literary environment and literary aesthetic development of the subtle relationship.