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“赫胥黎独处一室之中,在英伦之南,背山而面野,槛外诸境,历历如在机下。乃悬想二千年前,当罗马大将恺撒未到时,此间有何景物?计惟有天造草昧……”——严复译《天演论》西方现代主义的发展很大程度上是建立在对于异文化成果的误读的基础上的:对于黑非洲雕塑的误读催生了立体主义,对于书法的误读很大程度上激发了20世纪50年代的行动绘画和构成主义,而对于禅宗的活剥生吞则成为20世纪60年代以来各种总体艺术运动——新达达、激浪派、偶发艺术的营养。在书法的故乡,这种误读让人们有些沾沾自喜。那是因为,书法,在文化自信已经被抢掠者的船
“Huxley alone in a room, in the south of England, the backhan and the wild, the scene outside the threshold, such as under the machine is hung suspect two thousand years ago, when Rome general Caesar did not arrive, here What is the scenery? Only Tiancaosimei ... ... ”- Yan Fu translated“ Evolution and Ethics ”The development of Western modernism is largely based on the misreading of the results of different cultures on the basis of: For the black African sculpture Misinterpretation of Cubism led to Cubism. Misreading of calligraphy inspired a great deal of action painting and constructivism in the 1950s, while the dehumanization of Zen became the major theme of the overall art movement since the 1960s - The new Dada, waves faction, the art of casual nutrition. In the hometown of calligraphy, this kind of misunderstanding makes people feel complacent. That is because, calligraphy, in the cultural self-confidence have been looted ship