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自新中国成立以来,革命历史题材在我国的电影创作中一直占有重要地位。您作为中国电影事业的老领导和理论家,能否对我国四十年来拍摄革命历史题材影片所走过的道路以及在创作和理论探讨中的一些重要问题谈一谈您的看法。你们学报全方位地研究电影创作的各方面的问题,例如导演艺术问题、表演艺术问题、台湾新电影研究等等,现在又研究革命历史题材问题,我觉得是非常有意思的。中国革命取得决定性胜利
Since the founding of New China, the theme of revolutionary history has always occupied an important position in the filmmaking of our country. As an old leader and theorist of China’s film industry, can you talk about your views on the road we have taken over the past four decades in the filming of revolutionary historical films and on some important issues in the process of creation and theoretical discussion. Your journal studies various aspects of filmmaking in an all-round way, such as the director’s art issue, the performing arts issue, and the Taiwan’s new movie research. Now I think it is very interesting to study the issue of revolutionary history. The Chinese revolution won a decisive victory