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沈尹默对笔势的论述,具有继往开来的重要性。中国的艺术理论,更注重了悟,对于抽象的概念,则淡于形而上学的追问。沈尹默是第一个将“法”与“势”厘清的书学家。这一厘清,不仅是对书学的贡献,更具有创作上和方法论上的重要性。他在《书法论·笔势》中明确指出:“笔法是任何一种点画都要运用着它,即所谓‘笔笔中锋’,是必须共守的根本法;笔势乃是一种单行规则,是每一种点画各自顺从着各具的特殊姿势的写法。二者本
Shen Yinmo on the gesture of discussion, with the future of the importance of. China’s art theory pays more attention to understanding, while its concept of abstraction lags behind that of metaphysics. Shen Yinmo is the first book scientist to clarify ”law “ and ”potential “. This clarification is not only a contribution to the study of books, more creative and methodological importance. He clearly pointed out in the ”calligraphy on the gesture“: ”Stroke is any kind of painting to use it, the so-called ’brush pen center’ is the fundamental law must be together; gesture is a one-way rule is Each kind of stippling complies with the writing of each particular posture