论文部分内容阅读
石涛“一画”理论,虽以主张变革彰显个性为其基本倾向,但这一倾向既不是其理论核心,又非其贡献之所在。而其核心和突出意义则是以“一画”为理论基础,阐发了艺术创作中诸多相互对立而又统一的辩证思想,其理论阐述中具有鲜明的融通特征。这一融通特征既是石涛“一画”理论的精髓与贡献之所在,又是彰显清初艺术理论发展趋势的代表者。通过对这一融通特征的讨论,阐述了艺术创作中“法度与自由”“守成与创变”“蒙养与生活”的关系问题,从而揭示出“一画”论的核心内涵及其与清初艺术观念的整体关系。
Shitao “one painting ” theory, though advocating change shows personality as its basic tendency, but this tendency is neither the core of its theory nor its contribution. However, its core and outstanding significance is based on the theory of “one painting”, and expounds many contradictory and unified dialectical ideas in artistic creation. Its theoretical elaboration has distinct characteristics of communication. This feature of integration is not only the essence and contribution of Shi Tao’s “One Painting” theory, but also the representative of the development trend of the art theory in the early Qing Dynasty. Through the discussion of this feature of financing, this paper expounds the relationship between “freedom and liberty”, “keeping and creation”, “keeping and life” in the art creation, revealing “one painting” The Core Connotation of the Theory and Its Relationship with the Artistic Concept in the Early Qing Dynasty.