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毋庸置疑,素描作为绘画艺术的一种表现形式,属于视觉艺术的范畴.因此,素描也就与视觉有了不解之缘.从一般意义上讲,素描所包含的两个最主要的问题就是观察与表现的问题.观察是素描的首要问题.观察决定着表现,是素描基础的基础,严格地讲,素描中所言及的“观察”并不仅仅指的是一种方法,实际上观察意味着一种视知觉能力.一个人观察能力的强弱决定着这个人的悟解能力,也直接关系到他的素描表现水准.观察能力是一个画家最重要的才能,标志着一个人艺术素质的优劣.罗丹早就说过:“对于我们来说,自然中不是缺少美,而是缺少发现美的眼睛.”然而,纷杂的素描理念与各种艺术思潮的影响,加上我们对观察的模糊认识,使我们逐步丧失了“通过感觉到的经验(视觉经验)去理解事物的天赋”.“我们的眼睛正在退化为纯粹是度量和辨别的工具.结果,可以用形象来表达的观念就大大减少了,从所见的事物外观中发现意义的能力也丧失了.”这阻碍了我们素描水平的提高.为此,我们必须重新来认识素描中的观察问题.
There is no doubt that sketch, as a manifestation of the art of painting, belongs to the category of visual art, so the sketch also has an incompatibility with the visual sense.From the general sense, the two main problems involved in drawing are Observation and performance of the problem.Observation is the primary problem of the sketch.Observation determines the performance is based on the basis of the sketch, strictly speaking, the sketch referred to as “observation” is not only refers to a method, in fact observation means A kind of visual perception ability of a person’s ability to observe determines the ability of this person’s ability to understand, but also directly relates to his sketch performance.Observation of ability is an artist’s most important talent, marking a person’s artistic quality Rooney said long ago: “For us, nature is not lack of beauty, but the lack of beauty to find the eyes.” However, the complex concept of sketch and the impact of various artistic trends, coupled with our obscure observation By knowing, we gradually lose the “gift of understanding things through sensed experience (visual experience).” “Our eyes are receding into mere instruments of measurement and discernment. As a result, we can use Like to express ideas will be greatly reduced, and the ability to find meaning from things seen in the appearance also lost. ”This hinders us to improve the sketch level. To this end, we must re-sketch to understand the problems observed in.