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在山城的荧屏上,已出现了好几部表现在歌乐山集中营牺牲的革命志士生平的电视剧。我已拍过一部,是记述为叶挺将军“囚歌”作曲的胡作霖烈士的,叫《最后的音符》。我使用了钢琴、诗歌、合唱队(古希腊史诗演唱的队形)来贯穿烈士的事迹,并烘托、渲染为自己取了个“人”的笔名的这位年轻记者理想主义的青春激情。现在要拍罗世文,该如何着手?又有什么能叫观众感到稍为新鲜的新招?
On the screen of the mountain city, several TV series showing the lives of revolutionary clerics sacrificed at Geleshan Concentration Camp have appeared. I have already made a record of the Martyrs Hu Zuolin who composes the “Prisoners Song” by General Ye Ting and is called “Last Note.” I used the piano, poetry, chorus (formations of the ancient Greek epic) to run through the martyrs’ deeds and to contrast and render the youthful passion of the young journalist idealistic for whom I took the pen name of “man.” Now to film Luo Shiwen, how to proceed? What can make the audience feel a little fresh new tactics?