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90年代韩国文学最大的特征之一就是众多女性作家的出现。尽管在韩国近代文学史上也不乏有女性作家,可是进入90年代之后,有更多的女性作家登上文坛用她们特有的描写方式抒发自己的情感,对韩国文学史产生了深远的影响。特别是殷熙耕的作品,她的作品大多是对在90年代后期资本主义背景下,人与人之间的交流出现断隔以及人们对爱情的渴望等社会现象的反应。她笔下的女性形象是90年代韩国社会女性群体的缩影,对研究韩国90年代小说中的女性形象有一定的帮助。本文以殷熙耕《搭讪》中出现的女性形象为例,对韩国90年代小说中出现的女性形象进行分析。
One of the most prominent features of Korean literature in the 1990s was the emergence of many female writers. Although there are also many female writers in the history of modern Korean literature, after the 1990s, more female writers boarded the literary world to express their emotions in their own unique way of writing, which had a profound impact on the history of Korean literature. Especially Yin Xigong’s works. Most of her works are reactions to social phenomena such as the inter-person communication breaks down and people’s desire for love under the background of capitalism in the late 1990s. Her portrayal of female images is a microcosm of the social groups of Korean women in the 90s, which helps to study the female images in Korean novels in the 90s. This paper analyzes the female images appearing in the novels of South Korea in 1990s by taking the example of the female images appearing in Yin Xigong ’s “Tantra”.