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“声腔”一词本处于“音乐”的范畴之下,然而近几十年来,“声腔”不仅在戏曲音乐研究中有着重要的地位,更作为划分“剧类”的基本标准而成为戏剧研究的核心话题。“戏曲声腔既指演唱的腔调和特点,又代表戏曲剧种”①,在此观念之下,不同的“腔”就标志了不同的戏剧种类,拥有各自的剧目、剧本和声腔标志。在中国戏剧史的发展过程中,诸腔之名是从明中叶开始见诸记载的,因此明代首先
The term “sound chamber” is under the category of “music.” However, in recent decades, “sound chamber” has not only played an important role in the study of opera music, The basic standard of drama has become the core topic of study. “The opera sound refers not only to the accent and characteristics of singing, but also to the opera drama ”, under this concept, different “cavity ” marks the different types of drama, have their own repertoire, script and voice marks . In the process of the development of the Chinese drama history, the names of all the chines are recorded from the middle of the Ming Dynasty. Therefore, in the Ming Dynasty