略论如何提高京剧武生的舞台表现力

• 作 者: 杨永辉
• 机 构: 沈阳京剧院,
• 出 处: 青春岁月
• 发表日期: 2013年24期
• 关键词: 中国京剧艺术 艺术表演形式 艺术感染力 盖派 基本功训练 铁笼山 杨派 艳阳楼 尚和玉 盖叫天

武生行当是京剧行当中最具有艺术感染力和冲击力的行当,也是京剧艺术成熟和完善的重要标志。许多专家指出,武生行当是京剧区别于其他舞台艺术表演形式的最主要特点,也是中国京剧艺术屹立于世界民族之林的根本。对于当代国内京剧武生演员来说,提高舞台表现力的关键在于充分借鉴前辈京剧武生名家的表演经验,结合科学化的基本功训练加以实现。

Wushu line is one of the most influential lines in Beijing Opera and is also an important symbol of the maturity and perfection of Beijing opera. Many experts pointed out that the military action is the most important feature of Peking Opera distinguished from other forms of stage performance and is also the foundation for the Chinese Peking opera art to stand on the forefront of the world’s ethnic groups. For the contemporary domestic actors and actresses of Beijing Opera, the key to improve the performance of the stage lies in fully drawing on the performance experience of the masters of the famous Peking opera and taking advantage of the scientific basic skills training.