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画,乃一人之本真,是画家内心精神和文化的表达载体,诚如佛语“世事无相,相由心生”。陈春剑绘画所表现出来的“相”正是他内心的体现,也是他走进大自然,融入大自然,继而在不断探索中所流露出的本真。带着这份心绪我走进了陈春剑的花鸟世界,沿着他艺术创作的墨迹探寻他内在的心相。陈春剑的花鸟画延续了传统的双钩技法,融合传统的工笔和写意技法以及当代的视觉审美布局构图理念。在用笔技法上,强化了线条的书写性和筋骨性,在线条的审美定位上融合了楷书的正气
Painting, is the essence of one person, is the expression carrier of the artist’s inner spirit and culture, just as the Buddha language “has nothing to do with everything but with heart and soul.” The “phase” shown by Chen Chunjian’s painting is the embodiment of his heart, and is also the essence that he walks into nature, integrates into nature and continues to explore. With this feeling, I walked into the world of flowers and birds of Chen Chunjian and explored his inner feelings along the ink of his artistic creation. Chen Chunjian’s flower and bird paintings continue the traditional double-hook technique, blending the traditional techniques of brushwork and writing, as well as the concept of contemporary visual aesthetic layout. In the pen techniques, to strengthen the line of writing and bones, the line of aesthetic positioning on the integration of regular script righteousness