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中国画采垌渗透性极强的宣纸和饱含水墨的毛笔作为媒介,为中国画提供了表现上的无限可能性。传统中国画在理论与实践上自成体系,在表现技法上侧重笔墨研究,在宣纸的体验中侧重水墨研究。中国画充分运用水的性能,水与墨在表现上相互依存,墨得水则变,色得水则润,笔得水而有形,笔墨之间征于水。通过对自然的感悟,可以将水墨之间的细微体验,在传统水墨语言的形式转换与自我表达之中实现。
Chinese paintings, highly permeable rice paper and ink brush, serve as an intermediary for the infinite possibilities of Chinese painting. Traditional Chinese painting is self-contained in both theory and practice. It focuses on the study of ink and wash in performance techniques, and focuses on ink painting in the experience of rice paper. Chinese painting make full use of the performance of water, water and ink in the performance of interdependence, ink is changed, the color of the water is run, the pen is water and tangible, between the ink in the water. Through the perception of nature, the subtle experience between ink and wash can be realized in the form conversion and self-expression of the traditional ink and wash language.