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进入新世纪以来,随着经济全球化的日益推进,文化领域中的交流与融合也不断加深。在美学方面,突出的表现是东西方都在为克服各自的局限性而做的努力。就中国美学界来说,无论是对中国传统美学的重新审视,还是对实践美学的整体反思,都在一定程度上表达着这种寻求新路的自觉和超越自我的渴望。譬如,以批判实践美学为起点的后实践美学诸派,虽然其着力点在于建设一个新的美学体系,但同样面临着(与其批判对象一样)如何在新的时代背景下与西方美学对话的问题。为此,本刊以“全球化语境下的后实践关学”为题,约请3位专家撰文。目的是通过学术探讨,推动新世纪的中国美学向更深更广的方向发展。
Since the advent of the new century, as the economic globalization progresses, exchanges and integration in the cultural field have also deepened. In the aesthetics aspect, the outstanding performance is the effort both East and West are trying to overcome their own limitations. For the Chinese aesthetic community, both the re-examination of traditional Chinese aesthetics and the holistic reflection of practical aesthetics all express to some extent the desire to seek new ways and surpass themselves. For example, the post-practical aesthetics, starting from the critique of practical aesthetics, although faced with the construction of a new aesthetic system, is also faced with the question of how to talk with western aesthetics (as its critics) in the context of a new era . To this end, the magazine “post-practice under the context of globalization Guanzhe” as an issue, invited three experts author. The purpose is to promote the Chinese aesthetics in the new century to a deeper and broader direction through academic discussions.