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刘恒:印象中的李强好像没有什么“屡获全国大奖”之类的荣耀经历,他的书法个性面目也不是特别突出,所以没有引起过书法界的聚焦和关注。其中的原因之一,大概是因为他在实践上涉猎多方,篆、隶、楷、行样样皆能:没有明显的弱项,往往也看不出明显的强项。就像他自己说的,他曾尝试“摹印书法”风格的探求,这当然是属于篆书范畴;有一段时间他沉迷于率意奇宕的唐宫女墓志,这又是楷书或行书的样式。不过在各种展览
Liu Heng: Impression of Li Qiang seems to have nothing “won the national awards,” such as the glory of his personal character calligraphy is not particularly prominent, so did not cause the calligrapher’s focus and attention. One of the reasons, probably because he is involved in practice in many ways, Zhuan, Li, Kai, the line can do everything: no obvious weaknesses, often do not see obvious strengths. As he himself said, he had tried to explore the style of “copy and calligraphy,” which of course belongs to the category of seal script. For some time he became addicted to the epitaph of the Tang dynasty, which was routinely written or written style. But in a variety of exhibitions