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“高古游丝”——古人曾这样比喻魏晋人物画的线条艺术风格,这当中也透露了古代中国人对线条美的一种品味。浑圆洁净;游行无碍;藏头护尾,不知起止;这种线的意境溶入数千年来中国艺术家——书法家、画家、雕刻家和建筑师的梦想之中。然而,有谁曾想到它竟是发源于工艺美术的世界里呢?可以毫不夸张地说,中华民族这种非常特殊的倾心于线条表现的审美意识,从商朝青铜器工艺的诞生起就已奠定了基础。我们看看现存的商代青铜器中那些多重的、复杂的、盘屈纠缠、刚劲厚重的线条,就不会怀疑“线”的审美意识已
“Ancient Coil silk” - the ancients used to describe the line art style of the Wei and Jin portraits, which also revealed the ancient Chinese a line of beauty. Rounded and clean; the procession is without hindrance; the possession of the head and the tail are unknown; the mood of this line dissolves into the dreams of Chinese artists, calligraphers, painters, sculptors and architects for thousands of years. However, has anyone ever imagined that it actually originated in the world of arts and crafts? It is no exaggeration to say that this very special aesthetic consciousness of the Chinese nation, which is so much in line performance, has existed since the birth of the Shang Dynasty bronze craft Foundation. We will not doubt the aesthetic sense of the “line” if we look at the existing multiple, complicated, entangled and vigorous lines in the Shang dynasty bronze ware