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上海儿童艺术剧院最近上演了日本儿童剧《滑稽鬼》,颇得少年儿童的欢迎。这是一出带有悲剧色彩的作品。以往在儿童戏剧领域内,对于悲剧,大抵采取回避态度。不少人认为,悲剧形象由于他们的毁灭而引起审美主体的悲悯和畏惧,这对儿童观众来说,并不适宜。然而《滑稽鬼》中的主人公滑稽鬼,恰恰是一个悲剧性的艺术形象。戏开始,滑稽鬼见到了美丽的少女阿幸,出于好奇和爱慕,将她抢回家中,其行动不免唐突。然而在同阿幸的接触过程中,他的思想感情却得到了升华。他们之间心灵上的隔阂逐步消除,建立起了一个幸福、和谐
Shanghai Children’s Art Theater recently staged a Japanese children’s play “funny ghost”, quite popular with children and adolescents. This is a tragedy of work. In the past in the field of children’s theater, the tragedy is largely avoided. Many people think that because of their destruction, the image of tragedy arouses the compassion and fear of the aesthetic body, which is not suitable for the children’s audience. However, “funny ghost” in the protagonist funny ghost, is precisely a tragic art image. Beginning of the play, the funny ghost saw a beautiful girl Ah Hsien, out of curiosity and admiration, she grabbed the home, its action can not help but abrupt. However, in the process of contact with the fortune, his thoughts and feelings have been sublimated. Gradually eliminate the spiritual barriers between them, and established a happy and harmonious