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陈哲的《作品2007-2012:可承受的&蜜蜂》是第一本全面呈现其艺术创作的出版物。本书以复合笔记本的形式展开,穿梭行进于两个部分之间:其一,关于生活中“令人晕眩的痛苦”的照片,对象包括作者本人(《可承受的》)和她的受访者(《蜜蜂》),共计75幅;其二,作者与其受访者在两年间持续交换的一系列日记、通信、对谈、引用片段和涂鸦,共计40组。若尝试用归类的方式去理解陈哲的创作,将会面临一种简化的危险;它更接近于一个不断探寻、发现与研究的过程,这一过程最终将
Chen Zhe’s “Work 2007-2012: Affordable & Bee” is the first publication to fully present his artistic creations. The book unfolds in the form of a composite notebook that travels between two parts: first, photos of life’s “dizzy pains”, including the author himself (“affordable”) and her Of respondents (“bees”) for a total of 75; and secondly, a total of 40 diaries, communications, talks, quotations and graffiti, which the author and his respondents exchanged on a permanent basis over two years. It would be a simplifying danger to try to understand Chen’s creation in a categorized way; it is closer to an ongoing process of discovery, discovery and research that will ultimately