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明晚期人物肖像画得到文人士大夫为首的各阶层认可,人物肖像画的发展进入到了一个相对繁荣的阶段,主要分为波臣和江南粉彩两派。两者都受到西画东渐的影响,作品写实性比起以往有很大的提升。通过对人物面部表情、肌肉、五官的精致描写从而表达了不同人物形象的性格、精神面貌、生活经历与内心情感。绘画作品精细入微、毫发毕现、神韵逼真。学习和研究传统美学品格,为当代工笔人物创作汲取营养,同时为创作出既有文化内涵又有创新意识的优秀作品提供了重要借鉴。
In the late Ming portraits, the portraits of the literati and the doctor, led by all walks of life, were recognized. The development of portraits of portraits has entered a phase of relative prosperity, which is divided into two major groups: Bomchen and Jiangnan. Both are influenced by the gradual progress of Western painting, and the realism of the work has greatly improved compared with the past. Through the exquisite description of facial expressions, muscles and facial features, the characters, mental outlooks, life experiences and inner feelings of different characters are expressed. Finely detailed paintings, hair is finished, vivid charm. Studying and researching the traditional aesthetic characters, drawing lessons for contemporary literary figures, and providing important references for creating excellent works with both cultural connotation and innovative awareness.