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如果说,谢铁骊导演的电影《早春二月》的结尾,将文学作品的萧涧秋逃脱于芙蓉镇改变为投身于社会的革命之潮流中。那么,重新结构的原创现代舞剧《早春二月》的结尾,不仅同样提高了作品的思想性(保留走向那扇“光明之门”的细节),而且因为清晰地表达了主要人物的心理世界,从而成功地塑造了那个时代的一个具有“善良且惆怅”的青年知识分子的典型人物。
If Xie Tieli’s film “Early February” concludes, Xiao Jianqiu, a literary work, escaped from Furong Town into a revolution in society. Then, the end of the rebuilt original modern drama “Early February” not only raises the ideology of the work (keeping the details of the “Gate of Light”), but also because it clearly expresses the mental world of the main characters Thus succeeding in shaping a typical figure of a young “intellectual” with “goodness and melancholy” in that era.