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京剧南下后,由于上海特殊的社会环境——以工商为主的经济模式和以求新尚变为重的文化思想——逐渐推动了自身的适应和变化,慢慢形成了不同于传统范式的海派京剧。海派京剧从内容到形式、从运作到管理,都不同于传统的京剧。本文仅对海派京剧中出现的新思想进行大致的梳理,并探索其滋生的土壤,以及所体现出的中国审美文化的现代转型。
After the Beijing Opera went south, due to the special social environment of Shanghai, the economic model mainly based on industry and commerce and the cultural thought taking innovation as its priority, it gradually promoted its own adaptation and change and slowly formed a new paradigm different from the traditional paradigm Shanghai Peking opera. Shanghai opera from the content to the form, from operation to management, are different from the traditional Peking Opera. This article only roughly reviews the new ideas emerging in the Shanghai Opera and explores its breeding ground and the modern transformation of Chinese aesthetic culture.