论文部分内容阅读
本文选自著名的《纽约客》(The New Yorker)杂志,作者是该杂志资深专栏作家亚当·高波尼克,二十多年来一直为《纽约客》写稿。曾有一段时期他被杂志社派到巴黎为《纽约客》写稿,后来出了一本Paris to the Moon的文集。亚当是艺术专业毕业,擅长写与艺术有关的专题,从本文就可以看出这点,他对影视艺术领域的事件与人物如数家珍。文章遣词造句都很老到,《纽约客》杂志的文风隐约可见。下面是有关翻
This article is taken from the prestigious The New Yorker magazine by Adam Gopnik, a veteran columnist for the magazine, who has been writing for The New Yorker for more than two decades. For some time he was sent to Paris by magazine magazine for “New Yorker” writing, and later published a collection of Paris to the Moon. Adam is a graduate of the arts major, specializing in writing and art-related topics, as we can see from this article, he is familiar with the events and figures in the field of film and television arts. Articles are very old to create sentences, “New Yorker” magazine style looming. The following is about the turn