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有一点可以肯定,油画家画水墨,其状态一定和纯粹的国画家不同。 油画家画水墨,并不只我一人而为。早在二十世纪三十年代,油画家刘海粟、徐悲鸿、林风眠、关良等人,都已开始关注水墨,也留下了大量的作品。而后又有赵无极、朱德群、吴冠中,乃至吴作人,也都是以油画家的身份倾心于水墨创作的。 很难用一句话来概括油画家的水墨状态。就看以上例举的艺术前辈,刘海粟画黄山,那
One thing is for sure, oil painters ink painting, its state must be different from the pure Chinese painter. Oil painters paint ink, not just me. As early as the 1930s, oil painters Liu Haisu, Xu Beihong, Lin Fengmian, Guan Liang and others all started to pay attention to ink painting and left a large number of works. Then there was Zao Wou-ki, Chu Teh-chun, Wu Guan-zhong, and even Wu Zuoren, both of whom were devoted to ink painting as an oil painter. It is difficult to sum up the ink painter’s ink state in one sentence. Look at the art predecessors exemplified above, Liu Haisu painting Huangshan, that