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随着最后的题款、盖章,历时3年的中华文明历史题材美术创作工程之《四大名著》的创作终于收笔。我仿佛一下子卸掉了穿了很久的铠甲,顿觉身轻如燕,心也随之变得空无了,如太极站桩时之最高境界“从无到有,再到无”。漫步季景庭院,山楂树在不知不觉中已结满了朱砂般的果实,在秋风中摇曳、轻舞。从前期的收集素材,翻阅、研究《四大名著》文学版本和古人的绘图版本、影视版本等形成最初的创意,到后来的构图、落墨、着色、调整等阶段,历经三载,至今仍恍恍惚惚的,思绪还未穿越时空从《四大名著》的故事情节、绘制创作中回到当下。
With the final inscriptions and stamps, the creation of “Four Masterpieces” of the historical art of Chinese civilization which lasted for three years culminated in the writing. I seem to suddenly remove the armor worn for a long time, suddenly felt as Yan Yan, the heart has become empty, as the highest state of Tai Chi when standing “from scratch, to no . Stroll season garden, hawthorn unknowingly filled with cinnabar-like fruit, swaying in the autumn wind, light dance. From the early collection of material, read, study ”four masterpieces“ literary version and the ancients of the drawing version, the film version to form the initial idea, to the later composition, drop ink, coloring, adjustment and other stages, after three contained, still Trance, thoughts have not yet passed through space and time from the ”four famous" storyline, drawing back to the moment.