论文部分内容阅读
虽然高光、明暗、透视、色彩等都是西方的绘画观察视角,但在他那里最终都可以服务于有传统意味的意笔人物画,渗透出高贵的文人情怀。一上世纪五十年代以来,周昌谷和绝大部分画家一样有着某种艺术创新的自觉,“浙派人物画”作为一种地域画派风格的成功实践,已经在一定程度上说明了问题。其要旨就是在熟练掌握西方素描捉形
Although highlights, shades, perspectives, colors and so on are all western visual angles of painting observation, it is ultimately possible for him to serve the traditional Italian figure paintings and infiltrate noble literary feelings. Since the 1950s, Zhou Changgu, like most painters, has some kind of consciousness of artistic innovation. As a successful practice of the style of regional painting, the “Zhepai Figure Painting” has explained the problem to a certain extent. Its essence is mastering Western sketches